Wednesday, November 21, 2012

Tom Waits

Tom Waits' voice.

Described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car."

Tom Waits is like that. You either like his style. Or not. But his music is one thing that I absolutely love: authentic. Rough. Gritty.

Real.

Here's one of my fave's. Enjoy it.


Friday, November 9, 2012

Woody Hayes

About a year ago a friend asked if I would do a painting of OSU coach Woody Hayes for her church's silent auction at the holidays. It took only about 20 seconds of a Google Image search to find this great shot. I loved the composition, side profile. I knew instantly that I could work with it. In fact, it's one of those pieces that came together so well that it almost painted itself. Maybe because it was for a benevolent cause. Who knows. Still, once done, I had it scanned and, with the help of a friend with a high-end printer at his business, had a short run of limited prints made. I matted the prints in a burgundy that plays off of the red "O" in his hat (which I like a lot). Profits went to The Open Table, the food pantry at the church I attend. I believe that I have a few prints left. If interested, just shoot me a note. Thanks! ronkellow@gmail.com

Tuesday, November 6, 2012

Dizzy Gillespie

Dizzy Gillespie turned his life from knife-carrying roughneck to global citizen, and from alcohol to soul force. Perhaps Wynton Marsalis put it best, "His playing showcases the importance of intelligence. His rhythmic sophistication was unequaled. He was a master of harmony—and fascinated with studying it. He took in all the music of his youth—from Roy Eldridge to Duke Ellington—and developed a unique style built on complex rhythm and harmony balanced by wit. Dizzy was so quick-minded, he could create an endless flow of ideas at unusually fast tempo. Nobody had ever even considered playing a trumpet that way, let alone had actually tried. All the musicians respected him because, in addition to outplaying everyone, he knew so much and was so generous with that knowledge."

The painting I did is from a photo of someone else's work I greatly admire, photographer Herb Ritts (and whom I have also done a painting of in this blog). And below, Dizzy at his very best from a performance in 1965. Timeless and still brilliant.